In an April, 1988 edition of Sports Illustrated, their was a story titled “Ali and His Entourage”. Sports writer Gary Smith went to Ali’s farmhouse to interview the three-time world champion. On the floor leaning against the walls, were mementos of Ali in his prime. Photos and portraits of the champ punching and dancing. Sculpted body. Fist punching the air. Championship belt held high in triumph. “The thrilla in Manila.”
But on the pictures were white steaks – bird droppings. Ali looked into the rafters at the pigeons who had made his gym their home. And then he did something significant. Perhaps it was a gesture of closure. Maybe it was a statement of despair. Whatever the reason, he walked over to the row of pictures
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